There are certain songs that remind you of a specific time
in life.
For example, whenever I hear Penguin CafĂ© Orchestra’s
“Perpetuum,” I’m thrown back to senior year of college.
It’s well past 2am.
Three of us are slouched over laptops in Katelyn’s room.
We smell like stale coffee.
And as I glance at my lit review, I realize it’ll be another
all-nighter. I won’t sleep until after my first class. So I play this upbeat,
wordless song on repeat, knowing the tune will get me through the next hour of
research.
Another example: During my first year in the city, “Like a
G6” blared from every grimy Lower East Side bar. The beat was guaranteed to
make people dance, and the lyrics were easy enough to remember. (I also recall
one friend drunkenly screaming “Like a CHEESE STICK!” to a crowd of
uninterested onlookers while dancing her way to another drink. Said friend
shall remain anonymous…)
I remember Death Cab for Cutie’s “Expo 86” while riding a
stuffy N train to Coney Island in the summer. My hair was piled on top of my
head, and I happily tapped my foot to the beat, relishing in an endless
Saturday.
I remember playing “Good Ol’ Fashion Nightmare” over and
over again on my way to work after ending things with a boy.
I remember moving to New York and blasting The Avett
Brother’s “I and Love and You,” while driving up I-95N. (But then that became
too depressing, so I switched to “Empire State of Mind.”)
There was this one song by Ra Ra Riot that played in
Bloomingdales – and I loved it so much, I’d avoid customers for a precious 2
minutes and 43 seconds. You could
find me in the dressing room, humming along with my eyes closed.
I first listened to Mumford and Son’s new album while walking
in the Flatiron District with a leather jacket and a cheeseburger.
The Great Lake Swimmers sung their soft lyrics to a
frustrated writer in her kitchen throughout a gusty fall day, while The Naked and
the Famous announced the arrival of spring.
M83 “owned the sky” in 2011 (and probably in 2012 too). This
band produces epic I-have-to-walk-miles-to-work music.
I danced my way through the Parents magazine internship with
Passion Pit, and dubstepped my way through the eight-month
Huffington Post gig.
Ray Lamontagne walked with me around Washington Square Park,
while Bison’s “Switzerland” played on road trips to Newark. Edward Sharpe took
on the East Village and the Shins maintained their persistent role in my life
via an outdated iPhone playlist.
But that’s not even half the songs, or half the stories.
In fact, I’m already forgetting some of the details.
There were plenty of lyrics; plenty of remarkable rhythms
that matched my mood as I was freaking out and making out and falling down and
looking up and trying to remember to laugh, laugh, laugh.
So I thought I’d write a few down… for memory’s sake.
Because each street has a cadenced beat.
Each avenue possesses a subtle symphony.
And, what music we make.
Each avenue possesses a subtle symphony.
And, what music we make.
1 comment:
um, Carpenters?
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